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In 1632, a year before Borghese died, he asked Bernini to sculpt his portrait.The artist toiled away on the likeness of his great patron, who’d also become a friend.(1623), another Borghese-commissioned masterpiece on view, shows how far the Cardinal and his friends would go to support the artist’s work.
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Both busts, shown next to each other at Galleria Borghese, showcase Bernini’s unparalleled way with marble: the details of Borghese’s face are wildly realistic and convey a sense of the Cardinal’s decadent tastes (his cheeks are turgid, his eyes excited and searching).
But they also represent the relationship between the two men—one that was symbiotic and, ultimately, changed the course of art history.
At the time, Bernini was a teenager, and still restoring ancient sculptures alongside his artist-father, Pietro.